Theology and Literature
Is Dante’s Inferno
a great book? Well, the Great Books Foundation certainly thinks so. Otherwise,
they would not have included it in their program. The author, Dante Alighieri,
was a gifted writer and in this book he embraced a large literary theme: the struggle
between good and evil and the inability of man to avoid sin. The problem is
that Dante’s story, which is basically a journey into the heart of darkness, is
burdened with a flawed theology which seeks to impose its message on the
reader. And what is this message? That every human being is born into sin, and
without the intervention of the Catholic Church, and the mercy of God, every
individual will surely end up in Hell, where he belongs. Thus, human existence
is merely a prelude to the day of Judgment when we all will be held accountable
for every sin and every moral transgression committed on earth. Thus, the
punishment we receive in hell is but a reflection of our own moral corruption,
if not in the eyes of men, then certainly in the eyes of God. The theology of
Dante is conservative and judgmental because it is inspired by an institution
which believes it has the power and the authority to speak for God. To
accompany Dante on this journey is to follow him into the nightmare of a
deranged institution, like Galileo being shown the instruments of torture, or
Primo Levi in Auschwitz. For according to this theology, it is only through
fear and shame that men learn obedience to the Church. Because there is only
one true church and that is the church of St. Peter; all other churches and all
other beliefs are manifestations of sin and pretenders to the throne of Christ.
This is the theology
and dogma upon which Dante’s Inferno
is constructed. As a work of literature, it is quite impressive. Although the
recitation of tortures inflicted upon the damned becomes a little tedious along
the way. Once you have described in detail the pain and suffering inflicted on
the numerous lost souls inhabiting one level of hell, do we really need the
testimony of all the other condemned prisoners, whose destiny is to be punished for all eternity? Does it not seem a little redundant? To me, every punishment described in the
lower circles of hell is, fundamentally, a repetition of the agonies of the
first. Even if the particular method of torture varies from one sinner to the
next, does it really matter if one is boiled alive, torn apart, drowned,
stabbed or crushed?
Dante’s Inferno is a literary chamber of
horrors, and we (the reader) are meant to be a witness to the suffering of all
these condemned sinners. Thus, Dante’s
hell is a kind of school of instruction for the rest of us. We are meant to
learn obedience (or submission) to the will of the Church by the example of
those already in hell.. The Inferno is something like the experience of a
public execution. It’s meant to demonstrate the power and authority of the
clerical institution (or deity) which rules over us. In that sense, the Inferno functions as a
kind of preview of coming attractions. Either behave yourself and follow the
rules of the Church elders, or be prepared to suffer the consequences of your
disobedience. It makes you wonder if the
Inferno is really about the struggle
between good and evil, or is it a political treatise, like Orwell’s 1984, about
what happens to individual freedom when power becomes concentrated into the
hands of a few, elite individuals.
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