SHAKESPEARE: Othello Act IV (Marriage and Politics)
Early
in the book of Genesis we read “Therefore shall a man leave his father and his
mother, and shall cleave unto his wife: and they shall be one flesh.” In Act I of Othello Desdemona leaves her
father and cleaves to Othello as her husband.
A similar situation happens in Act I of King Lear (GB5). King Lear asks Cordelia for a public
declaration of her love for him. She
replies “I love your majesty according to my bond; nor more nor less.” What Cordelia is saying is that she loves
Lear as a daughter should love her father.
Some day she will have to share her allegiance and “cleave unto” a husband:
“Good my lord, you have begot me, bred me, loved me: I return those duties back
as are right fit, obey you, love you, and most honour you. Why have my sisters
husbands, if they say they love you all? Haply, when I shall wed, that lord
whose hand must take my plight shall carry half my love with him, half my care
and duty: sure, I shall never marry like my sisters, to love my father all.” So it is in Othello. When Desdemona leaves her father she’s following
a plan long established by Genesis in the religious tradition of Western
civilization.
The
secular tradition of Western civilization also views marriage as the basic plan
of society. Families are the fundamental
building blocks for the whole political structure. Aristotle (Politics GB2) says “In the first
place there must be a union of those who cannot exist without each other;
namely, of male and female, that the race may continue… Out of these two
relationships between man and woman, master and slave, the first thing to arise
is the family…” Master and slave? This political dynamic within the marital relationship
has been the cause of much grief between many husbands and wives. Love is fine but who gets to make the final decisions? That’s the question the Wife of Bath asks in
The Canterbury Tales (GB3) and here’s her conclusion “If there were no
authority on earth except experience, mine, for what it’s worth, (and that’s
enough for me) all goes to show that marriage is a misery and a woe.” She had gone through five husbands and every
marriage had been a battle for supremacy.
But in spite of her own bad experience she would still welcome the opportunity
to have a go at a sixth marriage.
How
does Shakespeare handle this perennial human predicament of the battle of the
sexes? In Act IV of Othello Desdemona
and Emilia ponder the pros and cons of marriage. Specifically, Desdemona wonders how wives
could ever be unfaithful: “O these men, these men! Dost thou in conscience
think, tell me, Emilia, that there be women do abuse their husbands in such
gross kind?” Emilia assures her that there are such women. Then Desdemona asks “wouldst thou do such a
deed for all the world?” Emilia’s
response is interesting. She says “the
world is a huge thing; ‘tis a great price for a small vice.” What Emilia calls “a small vice” has sent
Othello into a murderous rage. Iago has
thoroughly convinced him that Desdemona has been unfaithful. Desdemona is as good and as innocent as
Cordelia was in King Lear. Emilia is more
like the Wife of Bath when she says “Let husbands know their wives have sense
like them: they see and smell and have their palates both for sweet and sour, as
husbands have. What is it that they do when they change us for others? Is it
sport? I think it is: and doth affection breed it? I think it doth: is't
frailty that thus errs? It is so too: and have not we affections, desires for
sport, and frailty, as men have? Then let them use us well: else let them know,
the ills we do, their ills instruct us so.”
For Emilia men and women aren’t very different. So both she and the Wife of Bath use feminine
power to counter masculine power. Although
there’s no evidence either of them were unfaithful, they let it be known they
can give as good as they get. Desdemona and
Cordelia take a softer, gentler approach. They never threaten to retaliate and prefer
building trust for mutual conflict resolution.
In that sense marriage is like politics on a much smaller scale.
0 Comments:
Post a Comment
<< Home